剧情简介
康沃尔(ěr )渔村(⛲)的风景(jǐng )(🥇)明信(xìn )片田园诗误导了人(rén )们(men )。虽然(rán )过(guò )去(qù )钓(🤴)鱼是一(🔧)种养家糊口的方式，但(dàn )(🏴)如今富有(yǒu )的伦敦游客纷(⏬)纷(🎲)下(xià )(🎏)山，取代了当地人，当地人的(👑)生计(jì )因此(cǐ )受到(dào )威(wēi )胁。史蒂文和马丁兄(🏐)弟的关系也很紧(jǐn )张(🥞)。马丁是(✖)一个(gè )没有船的(de )渔夫(🕕)，因为史(🤷)蒂(🔊)文开始(🚢)用它(tā )来为一整(🥁)天的游(yóu )(🚨)客提(⏯)供(😞)更赚钱的旅游。他们卖掉了(💻)这(🗞)座家(jiā )庭别墅，现在看(🤸)来，最后(👓)一场战斗是和新主人在海边(biān )的(de )停车位(wèi )上展开。然而，情况很(hěn )快(kuài )就失控(kòng )(🚴)了，而不仅仅是(🗳)因为车(❕)轮夹钳(qián )。Bait是一种(🐾)黑白，手工制(zhì )作(zuò )，16毫米胶片制作的电影。许(xǔ )多关于鱼、网、龙(🈺)虾、(📧)长靴(😙)、绳结和(hé )渔篮的特写(xiě )镜头让(💸)人(🥅)想起(qǐ )了蒙(méng )(🔞)太奇(🚲)景(📐)点的理(lǐ )论(lùn )。对不同(tóng )社会阶层(céng )的(🌸)描述—(🏓)—可以(yǐ )说是阶级(jí )关系—(📤)—也让人想起了英(yīng )国(guó )电影中的(📬)社会现(xiàn )(💑)实主义传统(tǒng )。然而(ér )，最(zuì )重要的是，在影像(🍯)中不(🌲)同层次的(🐌)电影历(lì )史(shǐ )参(cān )(😲)考文(⛅)献之下(💨)，当前许多(duō )政治关联(📯)正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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